How to Develop a Personal Art Style – Basics & Experimentation | Liron Yanconsky’s Podcast – Episode 63

Hi there, Liron here! In today’s episode I’m teaching you how you can develop your own personal art style.

Many artists strive to grow and develop their own style, but there are many myths about what it takes, and the truth is much simpler than some may think!

We’ll take a bit of a philosophical approach, but embed a lot of practicality to it!

Personal Art Style

Probably every artist you admire has their own unique art styles. Artists who work hard and attain higher and higher levels of creation, tend to also have a uniqueness to their work.

There is something very charming around a distinct art style. This leads many beginner and aspiring artists to worry about developing their own style.

Which brings me to my next point…

Unique Art Style – Don’t Assume you Don’t Have One

This is extremely important.

I want you to understand that with enough practice, repetition and experimentation, everyone develops a unique art style.

It’s inevitable.

So instead of worrying about that, let’s focus on what we can do to ensure you develop successfully as an artist (:

Fundamentals & Experimentation

The way I see it, there are two elements to improving continuously.

Working on the fundamentals / basics – This involved doing the exercises and learning the techniques that are relevant to multiple art mediums.

An example for this would be composition, color harmony, matching values (in case you are doing realistic / representational / naturalistic art) and so on.

Experimentation – This involves breaking our own patterns, using work processes that are foreign to us, trying to work in a different style, using colors we aren’t used to and so on. 

Using these two together ensures your skills will grow, and your style will develop.

Remember that every experiment you do, every technique you play around with – these all add up and become a part of your style. By experimenting frequently, you widen your style’s possible spectrum of expression.

And with repeated work on the basics, you’ll ensure that your technical skills won’t deteriorate while you experiment.

This works very nicely with my concept of Inspiration & Isolation which you can read about here.

Everyone ELSE Will Recognize Your Style

I want to mention something I find amusing. Ironically, you will be the last person to recognize the uniqueness of your style.

That’s just how it goes for most people (unless it’s really unique and out there).

People started telling me about a year ago, that they could tell my paintings apart from others very easily.

I was very surprised to hear, but wasn’t able to see that myself.

Now I can better understand what they mean. There are many nuances. It’s in how you treat the edges, how your brush marks look. There are a lot of signature properties it’s hard to put in words, but easy to tell when they’re there.

Conclusion

I hope this all makes sense. Let me know if you have any questions and I’d be happy to expand on whatever you want me to (:

And with that being said, let’s move on  to the Artist Corner.

Artist Corner

In today’s episode I talk about Oliver Pyle, an English watercolor painter.

Oliver specializes in natural landscapes and rural scapes. His works convey serenity and calmness that I find very relaxing.

His work also taught me a lot about conveying your message with simplicity.

And Here’s where you can find me

Check out my YouTube Channel – Liron Yanconsky

Or ask me questions on Instagram – @LironYanIL or Snapchat – @LironYan3

I hope you enjoyed this one. Take care, and we’ll talk again really soon,

– Liron

Freedom in Painting – My Biggest Personal Artistic Insight | Liron Yanconsky’s Podcast – Episode 59

Today I want to tell you about my biggest personal artistic insight, regarding freedom and patience in painting (and creating in general).

Freedom & Patience

A few weeks ago I sat down with one of my best friends to do our yearly plans for 2019.

We don’t do resolutions, we do actual detailed and elaborate plans. The conversation we had led me to realize there’s one thing that’s really missing in my artistic life at the moment.

And seeing as art is about 85% of my life at the moment… that’s a major problem.

What’s missing is real freedom and patience when creating.

Goal-Oriented Me

So i’m very goal oriented.

This led me to always limit my creation time (painting, sketching etc.). After all, it’s only one of my many daily tasks.

The problem is – I wasn’t allowing myself enough time to really experiment. To create with freedom, patience. Deliberate experimentation is something that was really missing.

I was missing my artistic freedom.

Freedom & Experimentation

What I want to be able to do is go on side-tangents when creating.

Maybe I’ll be working on a finished painting, and I’m about to paint a person. I’d like to have the freedom to pause, take out a piece of test paper and jot down multiple sketches and paintings of the person I’m about to paint.

Maybe I’d like to try out different ways of painting them. Wet-in-wet, wet on dry, dry brush, etc.

But I wasn’t allowing myself to do that, as I am always aware of my time constraints. And I have tons of other stuff to do. Work on content, work on my sales funnel, the Facebook ads, LinkedIn ads, Instagram stories and… a barrage of other things.

Freedom as a Major Goal For 2019

I realized that I’ll have to force myself to do this. To give myself permission to have more freedom. To experiment more freely.

And so I decided to mark that as one of my main focuses for 2019.

I want to do “quarantined” creation days, in which my only “obligation” is to paint, sketch and experiment.

I want to reach that all-time level of art, and become one of the biggest artists of our time (and perhaps not just our time).

To get there, I will have to give myself permission to do this.

What would it look like if it was easy / fun?

This is an idea I’ve been toying around with lately, when things like that challenge me. I got this from Tim Ferris’s video on asking questions better.

Whenever something like this poses a challenge for me, I ask myself: What would this look like if it was easy? Or fun?

This is something I’m still contending with, but it does help from time to time.

Conclusion

And this is it for this episode! I hope this encourages / entertains you in some way. I feel like this idea of complete freedom will allow me to reach that crazy level I’m after.

And I’m not afraid of “too much” freedom. As it turns out, I’m pretty good at being disciplined haha. It’s the opposite direction in which I need to balance myself.

So with that being said, let’s move onto the Artist Corner!

Artist Corner

Today we talked about Anastasia Kustove, a fantastic watercolor painter I recently discovered on Instagram. You can check out her work @Kustova_Anastasia.

She mostly paints views and people. Her style is fantastic, and I’ve been really enjoying seeing it develop over the last year.

I especially love seeing pictures of her work on-location, such as this one.

And this is it for today!

Here’s where you can find me

Check out my YouTube Channel – Liron Yanconsky

Or ask me questions on Instagram – @LironYanIL or Snapchat – @LironYan3

I hope you enjoyed this one. Take care, and we’ll talk again really soon,

– Liron

Plein-air After a Long Break | Liron Yanconsky’s Podcast – Episode 54

Hi there! Today I wanted to share my experience of painting plein-air after a relatively long break!

Plein-Air Painting

So there’s been about a 1-2 months period when I barely got to paint outside.

If you’ve been following me for a while, you probably know just how important I think plein-air and painting on location is.

In my opinion, it’s a crucial ingredient in turning your paintings from good to amazing. Nothing can beat that spontaneity and full visual perception of being outside, in front of your scene.

After doing it for a while, photos start to feel a little flat and boring.

But Then I Took a Small Break From Plein-Air

So as I mentioned – I took a small break. And the result fascinated me.

In the beginning, I felt a little rusty, as expected. But it’s not like I took a full break from painting. I’ve been actually painting a lot – inside.

So here’s the fascinating part – I could feel just how much sharper my instincts became. I could immediately recognize how my composition was more on point. How better prepared I was to tackle the subject.

Another interesting feeling I had was that of slowing down. I felt like I’m deliberately working slower than usual, and I still maintain the same control (and you know how sometimes with watercolors – you have to be fast!).

Conclusion

So over all this was a big experience for me. It’s something I haven’t had in a while.

I hope you enjoyed reading about it, and perhaps this resonates with you, regarding plein-air, or anything you may have taken a break from.

Let me know in a comment below – did you ever experience something similar?

And now – it’s time for the Artist Corner.

Artist Corner

Today I talked about Andy Evansen.

Andy’s an impressionistic painter based in the US. His style is fairly minimalistic, yet has a strong sense of realism.

He started painting in the mid nineties, and studied under some of the greats, such as Skip Lawrenc, Eric Wiegardt, and my favs – Alvaro Castagnet and Joseph Zbukvic.

Here is his website, where you can see some of his work: http://www.evansenartstudio.com/

And here’s where you can find me

Check out my YouTube Channel – Liron Yanconsky

Or ask me questions on Instagram – @LironYanIL or Snapchat – @LironYan3

I hope you enjoyed this one. Take care, and we’ll talk again really soon,

– Liron

Paint More! Challenging Myself | Liron Yanconsky’s Podcast – Episode 53

Hi there, Liron here!

Today I wanted to talk to you about a little challenge I have for myself, for the month of December 2018.

Paint More

My challenge is to paint more than I usually do. I would say I average at about 2 hours a day, for 4-5 days a week. I want to increase that to around 4-5 hours a day.

So far it’s been working really well! ^_^

Reasons for Painting More

There are a few really good reasons for me taking this challenge upon myself.

Accelerated improvement – I have experienced a significantly accelerated growth of skills in the past 6-12 months. I feel like I have a really strong momentum that I’d like to capitalize on.

I still learn a lot – I’m still learning so much with each and every painting I do. It keeps surprising me actually.

This is also noticeable when starting to work on a new painting. I always feel like I’m better prepared “this time”. And that’s because I am increasingly more prepared with each and every painting I do.

No Plateau – I haven’t plateaued in my skills in a while now. I honestly don’t remember the last time I felt significantly uninspired / demotivated to paint. Nor do I don’t remember the last time I feared the blank page.

I want to really maximize and capitalize on all of the above, to make the most out of this time period.

My biggest fear, always, is regret. And I don’t even want to give myself the opportunity to regret anything I’m doing now (;

Painting More – Results So Far

So far I’ve been doing decently on the challenge itself, in terms of time spent painting. I’m definitely not at 4-5 hours a day like I wanted to, but it has increased to around 3.

In terms of the process, I feel BRAVER. I’m happy to test my comfort zone and try new things, and I create in a very spontaneous yet immersed way.

I will keep at it and let you know how it goes around the end of the month (and year!!).

And with that being said, let’s move on to the artist corner!

Artist Corner

In this episode I featured Dax, an up and coming rapper.

When I started this podcast I made a decision to feature a large variety of artists, and different types of them. And this is an example of that.

You may or may not know, but I love rap. And this guy is someone I stumbled upon rather recently. I could immediately tell he is very talented, and probably also works hard to create his music.

Just about 1-2 years ago he was a night-time janitor, and now he’s starting to gain some success.

If you don’t like profanities, don’t look into his stuff (as most rap has lots of it). My apologies if that’s the case.

But if you don’t mind, I would definitely check out his songs. My favorite is a remix of a song by Tupac Shakur: Dax – Hit ’em Up

And here’s where you can find me

Check out my YouTube Channel – Liron Yanconsky

Or ask me questions on Instagram – @LironYanIL or Snapchat – @LironYan3

I hope you enjoyed this one. Take care, and we’ll talk again really soon,

– Liron

What Makes Art Good? | Liron Yanconsky’s Podcast – Episode 51

What makes art good?

Hi there, Liron here – and today I wanted to share my insights after listening to Antrese Wood’s podcast episode with Alvaro Castagnet.

In the podcast (The Savvy Painter) episode, they were talking about what makes art… well – art!

Alvaro shared his perspective on what is important when creating, and what separates good art from rare / great art.

Impressed By Castagnet

First off I want to say how impressed I am with Alvaro’s dedication to ART. He seems to be an artist through and through, and not “just” a painter.

I didn’t know he had such a developed outlook and perspective on this topic.

My Main Takeaways – What Makes Art Good

Here are the points I found important here:

1. Creating with innocence. We know how to make beautiful art, but then we learn and internalize a lot of excessive baggage. Unlearning is the key. Children’s paintings are beautiful and fully authentic.

2. Being present while creating. Something I mentioned here many times in the past.

3. Sensitivity to the world. This is something I’ve been talking about, but never phrased this way. Alvaro is a GENIUS. It’s such a good way to put it. Sensitivity. The ability to see more, where others see nothing.

4. Spontaneity. This is especially true with the wild medium of watercolor. At times you have to be able to be flexible and react to what the paint does.

Vision & Techniques Work Together

The above help you develop a clear vision.

What techniques do is help you execute on that vision. This is why techniques are important, but have their place.

A spectacular vision, imagination and perception, together with mediocre technique – can actually do wonders.

Excellent technique with complete lack of vision may produce boring work that has no soul.

And this is it for today. Would love to hear your thoughts on this in a comment below!

And with that being said… Artist corner!

Artist Corner

Today, I’ve featuring Antrese Wood! I mentioned her podcast and wanted to share more information about her.

She actually has an interesting life story, and art played a very significant role within it. She’s a painter, working mainly in oils and watercolor. From what I’ve seen she focuses on the A-la-prima approach (finishing the painting in one go).

She created a body of work called “A Portrait of Argentina”, which I highly recommend you check out. As someone who visited some of these places – she did a FANTASTIC job.

Antrese’s website: http://antrese.com/

Antrese’s podcast episode with Alvaro Castagnet: https://savvypainter.com/podcast/alvaro-castagnet/

A painting by here that I absolutely LOVE: https://shop.antrese.com/original-art/original_art_products/persistence-pmb4gqkh1da

And here’s where you can find me

Check out my YouTube Channel – Liron Yanconsky

Or ask me questions on Instagram – @LironYanIL or Snapchat – @LironYan3

I hope you enjoyed this one. Take care, and we’ll talk again really soon,

– Liron