Tag: watercolor

Let Vision Lead Your Technique

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In today’s episode I want to share with you a concept I’ve been thinking about a lot lately, and that is of vision.

Vision is how we see the world. Every artist (and person for that matter) probably has a different vision of what they see.

That is why different artists create in different ways and notice different things.

Vision Leading Technique

My premise here is that there’s a way to create very clearly. To make the gap between your vision and your result as small as possible.

That is – to allow your vision lead the painting process rather then technique.

When you let technique lead the way, you may approach every painting the same way.

But every painting is different, and every scene is different.

So if you allow VISION to lead instead, you may end up with a better result.

Unique & Highly Personalized Art Style

The coolest part is this – it will probably also be more unique. Because you effectively “cleaned” your representation of reality.

This applies, by the way, to abstract art too! The reality I’m referring to can be a real physical scene, or the vision you have in your head.

I hope you found this helpful. The next time you create, try forgetting about technique, or the “correct” way of doing something. Instead – try to represent what  you see as clearly as you wish, regardless of process.

And let me know how it goes!

Artist Corner

Today I talked about Wendy Artin. I was recommended by a follower to check her work out. And I must say – it’s incredible!

She does lots of figurative work, and has some very unique processes and approach.

I actually covered her in my Painting Masters series. You can check that episode out here (:

And Here’s where you can find me

Check out my YouTube Channel – Liron Yanconsky

Or ask me questions on Instagram – @LironYanIL or Snapchat – @LironYan3

I hope you enjoyed this one. Take care, and we’ll talk again really soon,

— Liron

Improve Your Art INSTANTLY With FOCUS | Liron Yanconsky’s Podcast – Episode 64

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Today I’m going to show how to IMMEDIATELY improve your artistic results, without improving your actual skills.

This is aimed at visual artists mainly, and is probably relevant to any type of medium (watercolor, oils, acrylics, pastels, pen and ink – you name it!)

Spontaneity VS Planning

In the past I talked a lot about spontaneity, fun, looseness and allowing your instincts guide you.

To balance this out, today we’ll consider a more deliberate, planned approach.

No one method is the holy grail of anything. Doing BOTH is where the magic happens.

Highly-Detailed Painting

The thing that made me think more about this process, is this painting…

This painting “forced” me to slow down, consider my steps and become more patient.

And it taught me a lot.

I completely outdid myself, and it’s not necessarily thanks to an improvement in my skills, but rather thanks to the process I went through.

So let’s talk about some of the things that will help you improve your results immediately.

Improve Your Art With PLANNING

The first thing I would say is responsible to the improved result is me properly planning the painting.

I did several preparatory sketches in pencil. Some of the entire scene and composition, and others focusing on specific areas and details.

Here are some of those…

The main goal with these sketches is to familiarize myself with the scene, both on a macro level (overall composition), and on a micro level (details).

Focus & Slowing Down

That’s another thing I learned.

You want to deliberately slow down and work patiently. This also involved taking breaks whenever I feel like I’m getting impatient.

As soon as I felt like I was “trying to get to the end result”, rather than enjoy the process and be fully immersed in it – I took a break.

This proved to be very useful, and I kept my energy, motivation and creativity levels high throughout the whole thing.

And by the way, here are some stages from the start of the process until the end of it.

Deliberate Decisions

When painting it’s easy to get into auto-pilot mode.

Doing things on auto-pilot is useful. It’s essentially delegation of some actions to a lower-level element, to save resources.

Muscle memory can play a part in that.

But for some parts of the painting process, you want to be more present and deliberate.

So ask yourself – did I do this brush stroke out of habit and without thought, hoping for the best?

Or am I present to the moment, and doing things in a calculated manner?

If you are always hoping for the best, you may not achieve the result you want.

Last Tip – Scaling

When attempting to create an artwork that’s much LARGER than you are used to, I recommend scaling slowly and gradually.

Larger artworks, especially representational / realistic ones, will require more details as they scale up.

Sometimes it’s hard making the jump from a tiny thumbnail painting to a full sized one (the other way around is also true!).

So do it gradually.

Create a small thumbnail. Then double the size and make a slightly larger painting. Then double it again and do an A4 size. The again, until you are at the scale you are interested in.

This may seem a little redundant, but if you are planning a piece that will take a long time to finish, and you have that time, and you want it to be perfect (let’s say it’s a complex commission work) – this is a very useful process to follow.

And with that – we are ready to look at today’s artist!

Artist Corner

Today I talked about Yuko Nagayama, a Japanese artist.

Here work is so visually pleasing. She uses different subjects to symbolize different ideas and concepts.

She has a lot of florals, and what I especially love about them is that she is using so many colors as well, which reminds me of the way I tend to do portraits.

You can check out a lot of here work here, or by searching google images (;

And Here’s where you can find me

Check out my YouTube Channel – Liron Yanconsky

Or ask me questions on Instagram – @LironYanIL or Snapchat – @LironYan3

I hope you enjoyed this one. Take care, and we’ll talk again really soon,

– Liron

Real-Time Narrated Painting Tutorials – YouTube Experiment Results | Liron Yanconsky’s Podcast – Episode 60

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Hi there, Liron again here! Today I want to share with you my recent YouTube experiment – posting only real-time narrated painting tutorials – and talk about the results.

Let’s get going!

YouTube Experiment

Over the last few months, many viewers mentioned how what they are missing are full painting tutorials. Meaning – they didn’t want time-lapse vids. They wanted to hear my thoughts as I painted.

Following these requests, I decided to give this a try for six videos, which are two weeks.

This means that for the past two weeks, I’ve been only posting longer (40+ minutes) tutorials.

Feedback I Got

The vast majority of feedback was very positive. People were commenting how hearing my thought process is really useful, and how real-time allows them to follow along the action.

On the other hand, there were probably one or two comments saying how the videos are too long, and how they preferred shorter vids.

Results on YouTube

This is more about my YouTube analytics. I noticed several interesting things here.

First, one of the videos has done really well, gaining over 10K views. This is a lot for me, as I average at around 2K views, I would say.

Aside from that one, two other videos show some promise, and will perhaps gain more views with time.

I did see an immediate increase in watch time, which makes sense – as I was posting much longer videos.

But with that, there were also more views in general. This could be attributed to the 10K views video, but I’m not sure about that.

Also, I did notice an increase in subscribers growth, which was very slow for a while now. I averaged for a while around 40-50 new subs a day, and then increase temporarily moved the average to around 70, with the peak at 100+.

These are great results.

YouTube Channel Future Direction

My main insight from this experience was that I MYSELF am interested in variety. After such a long time period of posting only these longer videos, I started craving making shorter videos.

Another insight was that you can’t please everyone, which is 100% okay. So I might as well do what interests me.

My plan is to now incorporate what I learned over the last two weeks into my routine. We’ll go back to the normal series (The Paint Show, Painting Masters), but I’ll also try and do at least 1-2 full processes every two weeks.

Conclusion

I hope this experiment pushed the needle a little more in the direction of me improving as an artist and a teacher. And I’ll keep you updated on future experiments and new ideas I get.

And now, it’s time for today’s Artist Corner!

Artist Corner

In this episode I talked about Jasmine Huang, an incredible Taiwanese watercolor painter.

Her paintings have a beautiful realistic vibe to them. She uses a very unique color palette and is very well-versed in wet-in-wet.

Coincidentally, she is also the wife of Chien Chung Wei, who I featured in a recent episode of Painting Masters. I believe I will dedicate an episode to her as well (:

The best place to check out here work would be Facebook:
Jasmine Huang on Facebook

Here’s where you can find me

Check out my YouTube Channel – Liron Yanconsky

Or ask me questions on Instagram – @LironYanIL or Snapchat – @LironYan3

I hope you enjoyed this one. Take care, and we’ll talk again really soon,

– Liron

Freedom in Painting – My Biggest Personal Artistic Insight | Liron Yanconsky’s Podcast – Episode 59

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Today I want to tell you about my biggest personal artistic insight, regarding freedom and patience in painting (and creating in general).

Freedom & Patience

A few weeks ago I sat down with one of my best friends to do our yearly plans for 2019.

We don’t do resolutions, we do actual detailed and elaborate plans. The conversation we had led me to realize there’s one thing that’s really missing in my artistic life at the moment.

And seeing as art is about 85% of my life at the moment… that’s a major problem.

What’s missing is real freedom and patience when creating.

Goal-Oriented Me

So i’m very goal oriented.

This led me to always limit my creation time (painting, sketching etc.). After all, it’s only one of my many daily tasks.

The problem is – I wasn’t allowing myself enough time to really experiment. To create with freedom, patience. Deliberate experimentation is something that was really missing.

I was missing my artistic freedom.

Freedom & Experimentation

What I want to be able to do is go on side-tangents when creating.

Maybe I’ll be working on a finished painting, and I’m about to paint a person. I’d like to have the freedom to pause, take out a piece of test paper and jot down multiple sketches and paintings of the person I’m about to paint.

Maybe I’d like to try out different ways of painting them. Wet-in-wet, wet on dry, dry brush, etc.

But I wasn’t allowing myself to do that, as I am always aware of my time constraints. And I have tons of other stuff to do. Work on content, work on my sales funnel, the Facebook ads, LinkedIn ads, Instagram stories and… a barrage of other things.

Freedom as a Major Goal For 2019

I realized that I’ll have to force myself to do this. To give myself permission to have more freedom. To experiment more freely.

And so I decided to mark that as one of my main focuses for 2019.

I want to do “quarantined” creation days, in which my only “obligation” is to paint, sketch and experiment.

I want to reach that all-time level of art, and become one of the biggest artists of our time (and perhaps not just our time).

To get there, I will have to give myself permission to do this.

What would it look like if it was easy / fun?

This is an idea I’ve been toying around with lately, when things like that challenge me. I got this from Tim Ferris’s video on asking questions better.

Whenever something like this poses a challenge for me, I ask myself: What would this look like if it was easy? Or fun?

This is something I’m still contending with, but it does help from time to time.

Conclusion

And this is it for this episode! I hope this encourages / entertains you in some way. I feel like this idea of complete freedom will allow me to reach that crazy level I’m after.

And I’m not afraid of “too much” freedom. As it turns out, I’m pretty good at being disciplined haha. It’s the opposite direction in which I need to balance myself.

So with that being said, let’s move onto the Artist Corner!

Artist Corner

Today we talked about Anastasia Kustove, a fantastic watercolor painter I recently discovered on Instagram. You can check out her work @Kustova_Anastasia.

She mostly paints views and people. Her style is fantastic, and I’ve been really enjoying seeing it develop over the last year.

I especially love seeing pictures of her work on-location, such as this one.

And this is it for today!

Here’s where you can find me

Check out my YouTube Channel – Liron Yanconsky

Or ask me questions on Instagram – @LironYanIL or Snapchat – @LironYan3

I hope you enjoyed this one. Take care, and we’ll talk again really soon,

– Liron

Biggest Watercolor Painting Influences – Stan Miller, Joseph Zbukvic, Alvaro Castagnet & Chien Chung Wei | Liron Yanconsky’s Podcast – Episode 58

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Hi there, Liron here! Today I want to share with you my biggest painting influences – Stan Miller, Joseph Zbukvic, Alvaro Castagnet and Chien Chung Wei.

I will talk about what I learned from each one of these artists. Let’s get started!

1. Stan Miller

My biggest insight from Stan was how colors don’t matter, and it’s all about the values.

Stan Miller has so many insanely helpful YouTube tutorials, and in them he always emphasizes – if you get your drawings right and your values right – it will look realistic.

I learned the most from Stan Miller, no doubt about it.

Check out this tutorial to see what I mean: Stan Miller – Portrait Demonstration

2. Joseph Zbukvic

From Joseph I learned a lot about simplifying what I see. I learned I can manipulate things and represent them in a simpler manner that really works for the viewer.

Another thing I learned was the importance of believing in the process and allowing the painting time to come together.

I no don’t give up on ANY painting, until it’s 100% doomed haha.

3. Alvaro Castagnet

Ahhh, Alvaro. Such a unique spirit. From him I learned a few interesting things.

First – the important of contrast, or as he likes to call it – contradiction. This means having hard edges and soft edges, warm color and cool color. Conflicting elements that add interest.

One practical thing I got from him was to place cools and blues in close proximity, inside the shadows, to create interest and richness to the shadows.

Overall, my style is very different from Alvaro’s, but I do get a lot of inspiration from his uniqueness of style.

4. Chien Chung Wei

I started following Chien Chung Wei more recently, and even featured him in my newest episode of Painting Masters.

I learned to much to even explain here, so you’ll have to listen to the episode haha. Mostly I learned real skill is. His work is several folds more impressive than anything else I’ve seen.

And with that being said, let’s move on to the Artist Corner!

Artist Corner

So today I wanted to focus on… Chien Chung Wei!

Instead of writing, though, I urge you to take a look at my most recent episode of painting masters:

This artist is really something special.

And that’s it for today, hope you enjoyed this one!

And here’s where you can find me

Check out my YouTube Channel – Liron Yanconsky

Or ask me questions on Instagram – @LironYanIL or Snapchat – @LironYan3

I hope you enjoyed this one. Take care, and we’ll talk again really soon,

– Liron