Tag: skill

Paint More! Challenging Myself | Liron Yanconsky’s Podcast – Episode 53

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Hi there, Liron here!

Today I wanted to talk to you about a little challenge I have for myself, for the month of December 2018.

Paint More

My challenge is to paint more than I usually do. I would say I average at about 2 hours a day, for 4-5 days a week. I want to increase that to around 4-5 hours a day.

So far it’s been working really well! ^_^

Reasons for Painting More

There are a few really good reasons for me taking this challenge upon myself.

Accelerated improvement – I have experienced a significantly accelerated growth of skills in the past 6-12 months. I feel like I have a really strong momentum that I’d like to capitalize on.

I still learn a lot – I’m still learning so much with each and every painting I do. It keeps surprising me actually.

This is also noticeable when starting to work on a new painting. I always feel like I’m better prepared “this time”. And that’s because I am increasingly more prepared with each and every painting I do.

No Plateau – I haven’t plateaued in my skills in a while now. I honestly don’t remember the last time I felt significantly uninspired / demotivated to paint. Nor do I don’t remember the last time I feared the blank page.

I want to really maximize and capitalize on all of the above, to make the most out of this time period.

My biggest fear, always, is regret. And I don’t even want to give myself the opportunity to regret anything I’m doing now (;

Painting More – Results So Far

So far I’ve been doing decently on the challenge itself, in terms of time spent painting. I’m definitely not at 4-5 hours a day like I wanted to, but it has increased to around 3.

In terms of the process, I feel BRAVER. I’m happy to test my comfort zone and try new things, and I create in a very spontaneous yet immersed way.

I will keep at it and let you know how it goes around the end of the month (and year!!).

And with that being said, let’s move on to the artist corner!

Artist Corner

In this episode I featured Dax, an up and coming rapper.

When I started this podcast I made a decision to feature a large variety of artists, and different types of them. And this is an example of that.

You may or may not know, but I love rap. And this guy is someone I stumbled upon rather recently. I could immediately tell he is very talented, and probably also works hard to create his music.

Just about 1-2 years ago he was a night-time janitor, and now he’s starting to gain some success.

If you don’t like profanities, don’t look into his stuff (as most rap has lots of it). My apologies if that’s the case.

But if you don’t mind, I would definitely check out his songs. My favorite is a remix of a song by Tupac Shakur: Dax – Hit ’em Up

And here’s where you can find me

Check out my YouTube Channel – Liron Yanconsky

Or ask me questions on Instagram – @LironYanIL or Snapchat – @LironYan3

I hope you enjoyed this one. Take care, and we’ll talk again really soon,

– Liron

Impressionism Painting | Liron Yanconsky’s Podcast – Episode 20

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In the picture above is an Edward Seago study I did a while ago

Impressionism Painting

Impressionistic paintings have always attracted me, from the moment I discovered the genre.

I always loved the ability to represent what you see on paper, with the added value of your own interpretive skills, and your special flare.

The Zbukvices and the Castagnets

Immediately after discovering Joseph Zbukvic and Alvaro castagnet I was HOOKED.

I started seeking out similar artists, and paintings in that loose impressionistic style.

I also attempted painting in this style, which was a huge challenge (and still is!).

Edward Seago

Another artist I recently discovered that does impressionism in both OILS and watercolor, is Edward Seago.

He will probably be responsible for me getting into oils in some point in the not-so-far future (;

What Makes Good Impressionistic Art

I have my own opinion about what makes a good impressionistic painting.

This is my opinion, and I could be wrong about some things, or missing others. This is by no means a conclusive list.

Here are some things I noticed so far:

Accurate drawing – This is a must. This is the basis for creating a realistic impression of what you see.

Good sense of light and shadow – This is the second most-important item on my list. I believe this is as important as an accurate drawing.

We see the world in the form of light and shadow, and portraying accurate values is the key for creating realism.

Simplification and abstraction – Here shines the true spirit of impressionism. We are not trying to include every single detail we see.

We simplify things for the viewer, including only what’s ABSOLUTELY NECESSARY. And the levels to which we simplify is a personal / style-related choice, but the impression we create still resembles the subject to a high degree.

Colorful / harmonious palette – To me color is secondary, but in some ways it can significantly enhance a painting.

When the colors work well together the good painting turns into a fantastic celebration of mood, atmosphere and temperature.

How to learn impressionism painting & how to improve

This is a question I don’t really have an answer for. I’m still learning this myself. However – there are some habits I noticed have been helping me with this.

Painting from live reference – This means either painting real objects inside, or real scenery outside. It means NOT working from photos.

I cannot stress enough how important field work is. It is an integral part of improving your visual language, which is what we are doing here, after all.

I also think it’s important, from time to time, to work from photos. The reason is that you can be more relaxed, well-organized, and practice the techniques.

Outside you have to hurry, the light is constantly moving and changing, and things are dynamic. Inside you don’t have that issue.

Learning from others – The way I approached learning this is by constantly alternating between two mindsets – inspiration and isolation.

What I practically do is focus for a while on learning from one specific artist who’s work I enjoy. The time-frame for this can range from two weeks to two months. I call this the inspiration period.

Then, I shift into isolation. I ONLY focus on painting what I see, as I see it. I don’t watch YouTube videos. I don’t look at other peoples’ art. I only focus on MY OWN WORK.

And then I go back to inspiration for a while, and the cycle begins again.

I find this REALLY helps me to soak up inspiration and knowledge, and then internalize everything and combine it with MY OWN style.

Conclusion

And this is everything I wanted to share!

Like every new skill, it can be a bit of a challenge. But with enough consistency you get the ball rolling and before you know it – you are an expert!

I hope you enjoyed this one (:

Artist Corner

Today we talked about Edward Seago. He was an amazing English painter who worked in both oils and watercolor.

He lived from 1910 to 1974, and led an interesting life. He was quite close to the royal family, and was even invited on a tour to the Antarctic with prince Phillip.

He produced there what is considered his best work. I personally love both his oil paintings and his watercolors. He had an amazing way of simplifying what he sees.

You can read more about him on Wikipedia – Edward Seago

And here is a Google Images search for you to browse and enjoy

And here’s where you can find me (:

You can support me on Patreon

Check out my YouTube Channel – Liron Yanconsky

Or ask me questions on Instagram – @LironYanIL or Snapchat – @LironYan3

How to Master an Artistic Field | Liron Yanconsky’s Podcast – Episode 12

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Episode Summary

In this episode of my podcast we’ll discuss how to master an artistic field or endeavor, using macro and micro skills.

Micro Skills – The How

Another word for these would be “techniques”. This is the technical know-how of your artistic field. In watercolor, this means blending edges, matching values and dry brush techniques.

In drawing, this can be properly holding the pencil, creating a gradual shift in values and so on.

Mastering these is pretty straightforward. You practice them until you are competent.

Macro Skills – The Why

This is where the challenge begins.

If the micro skills were the “how to”, the macro skills are the “why we do things the way we do them”.

These can include composition, color selection, arrangement, telling a story or explaining an idea through our art. They also include work-process-related ideas.

This is less of a thing to “work on” in a targeted manner like the micro skills. A lot of this comes down to lots of experimentation and being open and present during the creation process.

I want to emphasise once again – these CAN improve – by practicing correctly.

My Progress With Watercolor Painting

I feel like I’m at a spot where I’m very competent with the micro skills. I wouldn’t say I MASTERED them. But I’m pretty good.

And with the macro skills? I feel like I’m still learning. And there’s A LOT to learn. This pleases me, because it shows the huge potential I can still tap into.

And the way I see it – mastering both micro and macro is the recipe for magic.

I hope you enjoyed this one!

Show Notes

I mentioned Jack Hamm’s book: Drawing Scenery. Here’s a link to purchase it on Amazon (affiliate): http://amzn.to/2Au2VsP

Support me on Patreon

YouTube – Liron Yanconsky

Instagram – @LironYanIL

Snapchat – @LironYan3