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What my Daily Podcast Taught Me | Liron Yanconsky’s Podcast – Episode 65

I learned so much from my daily podcast, and would like to share my insights with you!

I’m going to keep the written version of this episode rather short and to the point. Let me know in a comment below your thoughts, and if there’s anything you want me to expand upon.

1. My Daily Podcast – How it Started

I started my daily podcast when I first got the Anchor.fm app on my iPhone. It was originally meant to be a social network – only audio based.

I knew audio is important, as podcasts are very popular, and decided to jump aboard.

With time, the app pivoted multiple times, and it is now a streamlined podcast publishing platform.

2. What I Learned From my Daily Podcast

Here we go, this is the main part of the episode…

a. Higher frequency trains your brain to come up with more ideas.

This is something I experienced when I got started on YouTube as well. The more I increased the video frequency (moving from once a week to three videos a week, and at certain times even daily), the more ideas my brain started generating.

This is quite amazing. You may think to yourself – I don’t have any ideas for a weekly episode – how will I do 2 or 3 a week.

Well, turns out that deciding to do more will eventually lead to more ideas. You may suck at first – but it will improve really fast.

b. Better at coming up with topics on the fly.

Doing the daily podcast forced me to come up with ideas and topics on the fly. I can now probably generate ideas faster and more easily.

c. Finding interest in small things.

Instead of trying to find the perfect topic, one no one has covered before me… The daily podcast taught me to FIND the interest in things.

I could recognize the interest of a very initial idea, and create content very fast. In the past I may deem it uninteresting or irrelevant.

d. Idea generating tool.

This is probably the biggest one for me. The crazy amount of ideas I gain from the daily podcast ends up translating into topics for videos, articles, as well as weekly podcast episodes.

It’s a powerhouse of generating new ideas I can use for multiple social media outlets.

And that’s it! There are actually two more points you’ll have to listen to the episode to hear (;

Artist Corner

Today I talked about Ekaterina Sava, a very impressive watercolor painter.

Her staple is floral paintings. The way she handles washes and combines wet-in-wet with sharper edges is amazing.

I highly recommend you check out her FB profile, where she shares a lot of her work:
Ekaterina Sava on Facebook

And Here’s where you can find me

Check out my YouTube Channel – Liron Yanconsky

Or ask me questions on Instagram – @LironYanIL or Snapchat – @LironYan3

I hope you enjoyed this one. Take care, and we’ll talk again really soon,

– Liron

Improve Your Art INSTANTLY With FOCUS | Liron Yanconsky’s Podcast – Episode 64

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Today I’m going to show how to IMMEDIATELY improve your artistic results, without improving your actual skills.

This is aimed at visual artists mainly, and is probably relevant to any type of medium (watercolor, oils, acrylics, pastels, pen and ink – you name it!)

Spontaneity VS Planning

In the past I talked a lot about spontaneity, fun, looseness and allowing your instincts guide you.

To balance this out, today we’ll consider a more deliberate, planned approach.

No one method is the holy grail of anything. Doing BOTH is where the magic happens.

Highly-Detailed Painting

The thing that made me think more about this process, is this painting…

This painting “forced” me to slow down, consider my steps and become more patient.

And it taught me a lot.

I completely outdid myself, and it’s not necessarily thanks to an improvement in my skills, but rather thanks to the process I went through.

So let’s talk about some of the things that will help you improve your results immediately.

Improve Your Art With PLANNING

The first thing I would say is responsible to the improved result is me properly planning the painting.

I did several preparatory sketches in pencil. Some of the entire scene and composition, and others focusing on specific areas and details.

Here are some of those…

The main goal with these sketches is to familiarize myself with the scene, both on a macro level (overall composition), and on a micro level (details).

Focus & Slowing Down

That’s another thing I learned.

You want to deliberately slow down and work patiently. This also involved taking breaks whenever I feel like I’m getting impatient.

As soon as I felt like I was “trying to get to the end result”, rather than enjoy the process and be fully immersed in it – I took a break.

This proved to be very useful, and I kept my energy, motivation and creativity levels high throughout the whole thing.

And by the way, here are some stages from the start of the process until the end of it.

Deliberate Decisions

When painting it’s easy to get into auto-pilot mode.

Doing things on auto-pilot is useful. It’s essentially delegation of some actions to a lower-level element, to save resources.

Muscle memory can play a part in that.

But for some parts of the painting process, you want to be more present and deliberate.

So ask yourself – did I do this brush stroke out of habit and without thought, hoping for the best?

Or am I present to the moment, and doing things in a calculated manner?

If you are always hoping for the best, you may not achieve the result you want.

Last Tip – Scaling

When attempting to create an artwork that’s much LARGER than you are used to, I recommend scaling slowly and gradually.

Larger artworks, especially representational / realistic ones, will require more details as they scale up.

Sometimes it’s hard making the jump from a tiny thumbnail painting to a full sized one (the other way around is also true!).

So do it gradually.

Create a small thumbnail. Then double the size and make a slightly larger painting. Then double it again and do an A4 size. The again, until you are at the scale you are interested in.

This may seem a little redundant, but if you are planning a piece that will take a long time to finish, and you have that time, and you want it to be perfect (let’s say it’s a complex commission work) – this is a very useful process to follow.

And with that – we are ready to look at today’s artist!

Artist Corner

Today I talked about Yuko Nagayama, a Japanese artist.

Here work is so visually pleasing. She uses different subjects to symbolize different ideas and concepts.

She has a lot of florals, and what I especially love about them is that she is using so many colors as well, which reminds me of the way I tend to do portraits.

You can check out a lot of here work here, or by searching google images (;

And Here’s where you can find me

Check out my YouTube Channel – Liron Yanconsky

Or ask me questions on Instagram – @LironYanIL or Snapchat – @LironYan3

I hope you enjoyed this one. Take care, and we’ll talk again really soon,

– Liron

Drawing Fundamentals – Shape, Volume & Mass | Liron Yanconsky’s Podcast – Episode 61

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Liron here! And today I want to tell you about me going back to the drawing fundamentals, and sharpening my pencil-related skills (pun intended).

Why Fundamentals

I’ve known for a long while now that what makes a piece of art really communicate with the viewer on a deeper level – is usually not the glitz and glamour.

Usually it’s good mastery of the fundamentals of art. Those would be composition, form, value, colors and so on.

Artists Teaching the Fundamentals

I recently also started exposing myself to artists and teachers that focus on the fundamentals.

This really awakened something in me that wants to revisit this ideas, strengthen my understanding and control of them, and incorporate them in my artwork (mainly watercolor painting).

If I really want to become the best I can, this is an integral part of the deal.

What Fundamentals I’ll Focus on

Here are some of the main fundamental principles / techniques I plan on working on: Pencil and line control, shading, volume and mass, simplification, working from direct observation, creating a sense of depth and more.

I’ve been doing this for about 2 weeks, and am already very excited about the results. I feel like this is the right decision for now.

Scheduling Fundamentals Practice

This is going to be the real challenge. I need to somehow carve up more time for pure practice and working on my skills.

This is already a challenge as it is, but I’ll get it to work. It’s at least as important for me to work on the quality of my art, as the rest of my daily tasks.

And by the way, I plan on continuing with the normal routine on YouTube. However, I may share new insights as I learn them. Especially if I feel like something is significant enough.

And with that being said, let’s move onto the Artist Corner!

Artist Corner

In this episode I talked about Marcos Beccari, an extremely skilled watercolor painter based in Brazil.

He paints what I would call hyper-realistic watercolors. His subjects are mainly the female figure and water.

It’s incredible and I highly recommend you check him out. Here’s his Instagram to get you started: @marcosbeccari

Here’s where you can find me

Check out my YouTube Channel – Liron Yanconsky

Or ask me questions on Instagram – @LironYanIL or Snapchat – @LironYan3

I hope you enjoyed this one. Take care, and we’ll talk again really soon,

– Liron

Freedom in Painting – My Biggest Personal Artistic Insight | Liron Yanconsky’s Podcast – Episode 59

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Today I want to tell you about my biggest personal artistic insight, regarding freedom and patience in painting (and creating in general).

Freedom & Patience

A few weeks ago I sat down with one of my best friends to do our yearly plans for 2019.

We don’t do resolutions, we do actual detailed and elaborate plans. The conversation we had led me to realize there’s one thing that’s really missing in my artistic life at the moment.

And seeing as art is about 85% of my life at the moment… that’s a major problem.

What’s missing is real freedom and patience when creating.

Goal-Oriented Me

So i’m very goal oriented.

This led me to always limit my creation time (painting, sketching etc.). After all, it’s only one of my many daily tasks.

The problem is – I wasn’t allowing myself enough time to really experiment. To create with freedom, patience. Deliberate experimentation is something that was really missing.

I was missing my artistic freedom.

Freedom & Experimentation

What I want to be able to do is go on side-tangents when creating.

Maybe I’ll be working on a finished painting, and I’m about to paint a person. I’d like to have the freedom to pause, take out a piece of test paper and jot down multiple sketches and paintings of the person I’m about to paint.

Maybe I’d like to try out different ways of painting them. Wet-in-wet, wet on dry, dry brush, etc.

But I wasn’t allowing myself to do that, as I am always aware of my time constraints. And I have tons of other stuff to do. Work on content, work on my sales funnel, the Facebook ads, LinkedIn ads, Instagram stories and… a barrage of other things.

Freedom as a Major Goal For 2019

I realized that I’ll have to force myself to do this. To give myself permission to have more freedom. To experiment more freely.

And so I decided to mark that as one of my main focuses for 2019.

I want to do “quarantined” creation days, in which my only “obligation” is to paint, sketch and experiment.

I want to reach that all-time level of art, and become one of the biggest artists of our time (and perhaps not just our time).

To get there, I will have to give myself permission to do this.

What would it look like if it was easy / fun?

This is an idea I’ve been toying around with lately, when things like that challenge me. I got this from Tim Ferris’s video on asking questions better.

Whenever something like this poses a challenge for me, I ask myself: What would this look like if it was easy? Or fun?

This is something I’m still contending with, but it does help from time to time.

Conclusion

And this is it for this episode! I hope this encourages / entertains you in some way. I feel like this idea of complete freedom will allow me to reach that crazy level I’m after.

And I’m not afraid of “too much” freedom. As it turns out, I’m pretty good at being disciplined haha. It’s the opposite direction in which I need to balance myself.

So with that being said, let’s move onto the Artist Corner!

Artist Corner

Today we talked about Anastasia Kustove, a fantastic watercolor painter I recently discovered on Instagram. You can check out her work @Kustova_Anastasia.

She mostly paints views and people. Her style is fantastic, and I’ve been really enjoying seeing it develop over the last year.

I especially love seeing pictures of her work on-location, such as this one.

And this is it for today!

Here’s where you can find me

Check out my YouTube Channel – Liron Yanconsky

Or ask me questions on Instagram – @LironYanIL or Snapchat – @LironYan3

I hope you enjoyed this one. Take care, and we’ll talk again really soon,

– Liron

Biggest Watercolor Painting Influences – Stan Miller, Joseph Zbukvic, Alvaro Castagnet & Chien Chung Wei | Liron Yanconsky’s Podcast – Episode 58

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Hi there, Liron here! Today I want to share with you my biggest painting influences – Stan Miller, Joseph Zbukvic, Alvaro Castagnet and Chien Chung Wei.

I will talk about what I learned from each one of these artists. Let’s get started!

1. Stan Miller

My biggest insight from Stan was how colors don’t matter, and it’s all about the values.

Stan Miller has so many insanely helpful YouTube tutorials, and in them he always emphasizes – if you get your drawings right and your values right – it will look realistic.

I learned the most from Stan Miller, no doubt about it.

Check out this tutorial to see what I mean: Stan Miller – Portrait Demonstration

2. Joseph Zbukvic

From Joseph I learned a lot about simplifying what I see. I learned I can manipulate things and represent them in a simpler manner that really works for the viewer.

Another thing I learned was the importance of believing in the process and allowing the painting time to come together.

I no don’t give up on ANY painting, until it’s 100% doomed haha.

3. Alvaro Castagnet

Ahhh, Alvaro. Such a unique spirit. From him I learned a few interesting things.

First – the important of contrast, or as he likes to call it – contradiction. This means having hard edges and soft edges, warm color and cool color. Conflicting elements that add interest.

One practical thing I got from him was to place cools and blues in close proximity, inside the shadows, to create interest and richness to the shadows.

Overall, my style is very different from Alvaro’s, but I do get a lot of inspiration from his uniqueness of style.

4. Chien Chung Wei

I started following Chien Chung Wei more recently, and even featured him in my newest episode of Painting Masters.

I learned to much to even explain here, so you’ll have to listen to the episode haha. Mostly I learned real skill is. His work is several folds more impressive than anything else I’ve seen.

And with that being said, let’s move on to the Artist Corner!

Artist Corner

So today I wanted to focus on… Chien Chung Wei!

Instead of writing, though, I urge you to take a look at my most recent episode of painting masters:

This artist is really something special.

And that’s it for today, hope you enjoyed this one!

And here’s where you can find me

Check out my YouTube Channel – Liron Yanconsky

Or ask me questions on Instagram – @LironYanIL or Snapchat – @LironYan3

I hope you enjoyed this one. Take care, and we’ll talk again really soon,

– Liron