Creativity Archives - Page 3 of 8

Authenticity in Art – Cesar Santos Interview | Liron Yanconsky’s Podcast – Episode 67

In today’s episode I wanted to share with you a snippet of my interview with Cesar Santos.

This was an amazing experience, and Cesar is such a great guy!

You can check out the entire thing here:

Authenticity in Art

In this snippet Cesar shares his insights regarding developing your style, artistic freedom, being true to yourself and learning from others.

If you set aside techniques, master studies and so on… over the long run I find one of the most fun parts of creating is slowly learning more about yourself.

With time, and doing the right work, you become more and more like yourself, and less of an imitation of others.

I always aspire to learn from others, but at the same time preserve my authenticity, which is why this topic is so close to me!

Artist Corner

Today’s artist is obviously Cesar Santos.

He is a highly renowned classically trained painter and creator. He works in many drawing mediums, and mainly in oils.

His work is exhibited in galleries in the US and around the world. His series of paintings called “Syncretism” has been one of his major works, and he is always striving to teach, learn and improve.

You can check out his EXCELLENT YouTube channel here: Cesar Santos on YouTube

And his beautiful works on Instagram here: Cesar on Instagram

And Here’s where you can find me

Check out my YouTube Channel – Liron Yanconsky

Or ask me questions on Instagram – @LironYanIL or Snapchat – @LironYan3

I hope you enjoyed this one. Take care, and we’ll talk again really soon,

– Liron

Improve Your Art INSTANTLY With FOCUS | Liron Yanconsky’s Podcast – Episode 64

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Today I’m going to show how to IMMEDIATELY improve your artistic results, without improving your actual skills.

This is aimed at visual artists mainly, and is probably relevant to any type of medium (watercolor, oils, acrylics, pastels, pen and ink – you name it!)

Spontaneity VS Planning

In the past I talked a lot about spontaneity, fun, looseness and allowing your instincts guide you.

To balance this out, today we’ll consider a more deliberate, planned approach.

No one method is the holy grail of anything. Doing BOTH is where the magic happens.

Highly-Detailed Painting

The thing that made me think more about this process, is this painting…

This painting “forced” me to slow down, consider my steps and become more patient.

And it taught me a lot.

I completely outdid myself, and it’s not necessarily thanks to an improvement in my skills, but rather thanks to the process I went through.

So let’s talk about some of the things that will help you improve your results immediately.

Improve Your Art With PLANNING

The first thing I would say is responsible to the improved result is me properly planning the painting.

I did several preparatory sketches in pencil. Some of the entire scene and composition, and others focusing on specific areas and details.

Here are some of those…

The main goal with these sketches is to familiarize myself with the scene, both on a macro level (overall composition), and on a micro level (details).

Focus & Slowing Down

That’s another thing I learned.

You want to deliberately slow down and work patiently. This also involved taking breaks whenever I feel like I’m getting impatient.

As soon as I felt like I was “trying to get to the end result”, rather than enjoy the process and be fully immersed in it – I took a break.

This proved to be very useful, and I kept my energy, motivation and creativity levels high throughout the whole thing.

And by the way, here are some stages from the start of the process until the end of it.

Deliberate Decisions

When painting it’s easy to get into auto-pilot mode.

Doing things on auto-pilot is useful. It’s essentially delegation of some actions to a lower-level element, to save resources.

Muscle memory can play a part in that.

But for some parts of the painting process, you want to be more present and deliberate.

So ask yourself – did I do this brush stroke out of habit and without thought, hoping for the best?

Or am I present to the moment, and doing things in a calculated manner?

If you are always hoping for the best, you may not achieve the result you want.

Last Tip – Scaling

When attempting to create an artwork that’s much LARGER than you are used to, I recommend scaling slowly and gradually.

Larger artworks, especially representational / realistic ones, will require more details as they scale up.

Sometimes it’s hard making the jump from a tiny thumbnail painting to a full sized one (the other way around is also true!).

So do it gradually.

Create a small thumbnail. Then double the size and make a slightly larger painting. Then double it again and do an A4 size. The again, until you are at the scale you are interested in.

This may seem a little redundant, but if you are planning a piece that will take a long time to finish, and you have that time, and you want it to be perfect (let’s say it’s a complex commission work) – this is a very useful process to follow.

And with that – we are ready to look at today’s artist!

Artist Corner

Today I talked about Yuko Nagayama, a Japanese artist.

Here work is so visually pleasing. She uses different subjects to symbolize different ideas and concepts.

She has a lot of florals, and what I especially love about them is that she is using so many colors as well, which reminds me of the way I tend to do portraits.

You can check out a lot of here work here, or by searching google images (;

And Here’s where you can find me

Check out my YouTube Channel – Liron Yanconsky

Or ask me questions on Instagram – @LironYanIL or Snapchat – @LironYan3

I hope you enjoyed this one. Take care, and we’ll talk again really soon,

– Liron

How to Develop a Personal Art Style – Basics & Experimentation | Liron Yanconsky’s Podcast – Episode 63

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Hi there, Liron here! In today’s episode I’m teaching you how you can develop your own personal art style.

Many artists strive to grow and develop their own style, but there are many myths about what it takes, and the truth is much simpler than some may think!

We’ll take a bit of a philosophical approach, but embed a lot of practicality to it!

Personal Art Style

Probably every artist you admire has their own unique art styles. Artists who work hard and attain higher and higher levels of creation, tend to also have a uniqueness to their work.

There is something very charming around a distinct art style. This leads many beginner and aspiring artists to worry about developing their own style.

Which brings me to my next point…

Unique Art Style – Don’t Assume you Don’t Have One

This is extremely important.

I want you to understand that with enough practice, repetition and experimentation, everyone develops a unique art style.

It’s inevitable.

So instead of worrying about that, let’s focus on what we can do to ensure you develop successfully as an artist (:

Fundamentals & Experimentation

The way I see it, there are two elements to improving continuously.

Working on the fundamentals / basics – This involved doing the exercises and learning the techniques that are relevant to multiple art mediums.

An example for this would be composition, color harmony, matching values (in case you are doing realistic / representational / naturalistic art) and so on.

Experimentation – This involves breaking our own patterns, using work processes that are foreign to us, trying to work in a different style, using colors we aren’t used to and so on.

Using these two together ensures your skills will grow, and your style will develop.

Remember that every experiment you do, every technique you play around with – these all add up and become a part of your style. By experimenting frequently, you widen your style’s possible spectrum of expression.

And with repeated work on the basics, you’ll ensure that your technical skills won’t deteriorate while you experiment.

This works very nicely with my concept of Inspiration & Isolation which you can read about here.

Everyone ELSE Will Recognize Your Style

I want to mention something I find amusing. Ironically, you will be the last person to recognize the uniqueness of your style.

That’s just how it goes for most people (unless it’s really unique and out there).

People started telling me about a year ago, that they could tell my paintings apart from others very easily.

I was very surprised to hear, but wasn’t able to see that myself.

Now I can better understand what they mean. There are many nuances. It’s in how you treat the edges, how your brush marks look. There are a lot of signature properties it’s hard to put in words, but easy to tell when they’re there.

Conclusion

I hope this all makes sense. Let me know if you have any questions and I’d be happy to expand on whatever you want me to (:

And with that being said, let’s move on to the Artist Corner.

Artist Corner

In today’s episode I talk about Oliver Pyle, an English watercolor painter.

Oliver specializes in natural landscapes and rural scapes. His works convey serenity and calmness that I find very relaxing.

His work also taught me a lot about conveying your message with simplicity.

And Here’s where you can find me

Check out my YouTube Channel – Liron Yanconsky

Or ask me questions on Instagram – @LironYanIL or Snapchat – @LironYan3

I hope you enjoyed this one. Take care, and we’ll talk again really soon,

– Liron

Freedom in Painting – My Biggest Personal Artistic Insight | Liron Yanconsky’s Podcast – Episode 59

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Today I want to tell you about my biggest personal artistic insight, regarding freedom and patience in painting (and creating in general).

Freedom & Patience

A few weeks ago I sat down with one of my best friends to do our yearly plans for 2019.

We don’t do resolutions, we do actual detailed and elaborate plans. The conversation we had led me to realize there’s one thing that’s really missing in my artistic life at the moment.

And seeing as art is about 85% of my life at the moment… that’s a major problem.

What’s missing is real freedom and patience when creating.

Goal-Oriented Me

So i’m very goal oriented.

This led me to always limit my creation time (painting, sketching etc.). After all, it’s only one of my many daily tasks.

The problem is – I wasn’t allowing myself enough time to really experiment. To create with freedom, patience. Deliberate experimentation is something that was really missing.

I was missing my artistic freedom.

Freedom & Experimentation

What I want to be able to do is go on side-tangents when creating.

Maybe I’ll be working on a finished painting, and I’m about to paint a person. I’d like to have the freedom to pause, take out a piece of test paper and jot down multiple sketches and paintings of the person I’m about to paint.

Maybe I’d like to try out different ways of painting them. Wet-in-wet, wet on dry, dry brush, etc.

But I wasn’t allowing myself to do that, as I am always aware of my time constraints. And I have tons of other stuff to do. Work on content, work on my sales funnel, the Facebook ads, LinkedIn ads, Instagram stories and… a barrage of other things.

Freedom as a Major Goal For 2019

I realized that I’ll have to force myself to do this. To give myself permission to have more freedom. To experiment more freely.

And so I decided to mark that as one of my main focuses for 2019.

I want to do “quarantined” creation days, in which my only “obligation” is to paint, sketch and experiment.

I want to reach that all-time level of art, and become one of the biggest artists of our time (and perhaps not just our time).

To get there, I will have to give myself permission to do this.

What would it look like if it was easy / fun?

This is an idea I’ve been toying around with lately, when things like that challenge me. I got this from Tim Ferris’s video on asking questions better.

Whenever something like this poses a challenge for me, I ask myself: What would this look like if it was easy? Or fun?

This is something I’m still contending with, but it does help from time to time.

Conclusion

And this is it for this episode! I hope this encourages / entertains you in some way. I feel like this idea of complete freedom will allow me to reach that crazy level I’m after.

And I’m not afraid of “too much” freedom. As it turns out, I’m pretty good at being disciplined haha. It’s the opposite direction in which I need to balance myself.

So with that being said, let’s move onto the Artist Corner!

Artist Corner

Today we talked about Anastasia Kustove, a fantastic watercolor painter I recently discovered on Instagram. You can check out her work @Kustova_Anastasia.

She mostly paints views and people. Her style is fantastic, and I’ve been really enjoying seeing it develop over the last year.

I especially love seeing pictures of her work on-location, such as this one.

And this is it for today!

Here’s where you can find me

Check out my YouTube Channel – Liron Yanconsky

Or ask me questions on Instagram – @LironYanIL or Snapchat – @LironYan3

I hope you enjoyed this one. Take care, and we’ll talk again really soon,

– Liron

Biggest Watercolor Painting Influences – Stan Miller, Joseph Zbukvic, Alvaro Castagnet & Chien Chung Wei | Liron Yanconsky’s Podcast – Episode 58

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Hi there, Liron here! Today I want to share with you my biggest painting influences – Stan Miller, Joseph Zbukvic, Alvaro Castagnet and Chien Chung Wei.

I will talk about what I learned from each one of these artists. Let’s get started!

1. Stan Miller

My biggest insight from Stan was how colors don’t matter, and it’s all about the values.

Stan Miller has so many insanely helpful YouTube tutorials, and in them he always emphasizes – if you get your drawings right and your values right – it will look realistic.

I learned the most from Stan Miller, no doubt about it.

Check out this tutorial to see what I mean: Stan Miller – Portrait Demonstration

2. Joseph Zbukvic

From Joseph I learned a lot about simplifying what I see. I learned I can manipulate things and represent them in a simpler manner that really works for the viewer.

Another thing I learned was the importance of believing in the process and allowing the painting time to come together.

I no don’t give up on ANY painting, until it’s 100% doomed haha.

3. Alvaro Castagnet

Ahhh, Alvaro. Such a unique spirit. From him I learned a few interesting things.

First – the important of contrast, or as he likes to call it – contradiction. This means having hard edges and soft edges, warm color and cool color. Conflicting elements that add interest.

One practical thing I got from him was to place cools and blues in close proximity, inside the shadows, to create interest and richness to the shadows.

Overall, my style is very different from Alvaro’s, but I do get a lot of inspiration from his uniqueness of style.

4. Chien Chung Wei

I started following Chien Chung Wei more recently, and even featured him in my newest episode of Painting Masters.

I learned to much to even explain here, so you’ll have to listen to the episode haha. Mostly I learned real skill is. His work is several folds more impressive than anything else I’ve seen.

And with that being said, let’s move on to the Artist Corner!

Artist Corner

So today I wanted to focus on… Chien Chung Wei!

Instead of writing, though, I urge you to take a look at my most recent episode of painting masters:

This artist is really something special.

And that’s it for today, hope you enjoyed this one!

And here’s where you can find me

Check out my YouTube Channel – Liron Yanconsky

Or ask me questions on Instagram – @LironYanIL or Snapchat – @LironYan3

I hope you enjoyed this one. Take care, and we’ll talk again really soon,

– Liron