Tag: process

Improve Your Art INSTANTLY With FOCUS | Liron Yanconsky’s Podcast – Episode 64

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Today I’m going to show how to IMMEDIATELY improve your artistic results, without improving your actual skills.

This is aimed at visual artists mainly, and is probably relevant to any type of medium (watercolor, oils, acrylics, pastels, pen and ink – you name it!)

Spontaneity VS Planning

In the past I talked a lot about spontaneity, fun, looseness and allowing your instincts guide you.

To balance this out, today we’ll consider a more deliberate, planned approach.

No one method is the holy grail of anything. Doing BOTH is where the magic happens.

Highly-Detailed Painting

The thing that made me think more about this process, is this painting…

This painting “forced” me to slow down, consider my steps and become more patient.

And it taught me a lot.

I completely outdid myself, and it’s not necessarily thanks to an improvement in my skills, but rather thanks to the process I went through.

So let’s talk about some of the things that will help you improve your results immediately.

Improve Your Art With PLANNING

The first thing I would say is responsible to the improved result is me properly planning the painting.

I did several preparatory sketches in pencil. Some of the entire scene and composition, and others focusing on specific areas and details.

Here are some of those…

The main goal with these sketches is to familiarize myself with the scene, both on a macro level (overall composition), and on a micro level (details).

Focus & Slowing Down

That’s another thing I learned.

You want to deliberately slow down and work patiently. This also involved taking breaks whenever I feel like I’m getting impatient.

As soon as I felt like I was “trying to get to the end result”, rather than enjoy the process and be fully immersed in it – I took a break.

This proved to be very useful, and I kept my energy, motivation and creativity levels high throughout the whole thing.

And by the way, here are some stages from the start of the process until the end of it.

Deliberate Decisions

When painting it’s easy to get into auto-pilot mode.

Doing things on auto-pilot is useful. It’s essentially delegation of some actions to a lower-level element, to save resources.

Muscle memory can play a part in that.

But for some parts of the painting process, you want to be more present and deliberate.

So ask yourself – did I do this brush stroke out of habit and without thought, hoping for the best?

Or am I present to the moment, and doing things in a calculated manner?

If you are always hoping for the best, you may not achieve the result you want.

Last Tip – Scaling

When attempting to create an artwork that’s much LARGER than you are used to, I recommend scaling slowly and gradually.

Larger artworks, especially representational / realistic ones, will require more details as they scale up.

Sometimes it’s hard making the jump from a tiny thumbnail painting to a full sized one (the other way around is also true!).

So do it gradually.

Create a small thumbnail. Then double the size and make a slightly larger painting. Then double it again and do an A4 size. The again, until you are at the scale you are interested in.

This may seem a little redundant, but if you are planning a piece that will take a long time to finish, and you have that time, and you want it to be perfect (let’s say it’s a complex commission work) – this is a very useful process to follow.

And with that – we are ready to look at today’s artist!

Artist Corner

Today I talked about Yuko Nagayama, a Japanese artist.

Here work is so visually pleasing. She uses different subjects to symbolize different ideas and concepts.

She has a lot of florals, and what I especially love about them is that she is using so many colors as well, which reminds me of the way I tend to do portraits.

You can check out a lot of here work here, or by searching google images (;

And Here’s where you can find me

Check out my YouTube Channel – Liron Yanconsky

Or ask me questions on Instagram – @LironYanIL or Snapchat – @LironYan3

I hope you enjoyed this one. Take care, and we’ll talk again really soon,

– Liron

Why I Love Q4 – Last Push for 2018-2019 | Liron Yanconsky’s Podcast – Episode 50

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Hi there, Liron here and today I want to talk to you about why I love Q4 of the year!

Hard Work

To make a long story short – I see Q4 as an opportunity to work even harder than I worked for the entire year.

I like to start strong, then take it a little easier around July, and then pick up the pace again and go faster.

The main word I want to use for Q4 is MORE. I like to use this opportunity to JUST DO MORE. More videos, more posts, more ads, more articles.

By doing that, I know I’m setting myself up to win at the start of next year.

Conclude 2018 & Plan 2019

This is also a good time to reflect on the successes of the year (so many wins in 2018!). It’s important to recognize these.

Then, it’s time to plan how to win next year.

My Goals: Recap

I have two main MACRO goals. These are probably things I will never fully attain, but will always feel.

1. I want to become one of the best watercolor painters and teachers in the world.

2. I want to inspire as many people as possible to create with complete passion and courage.

And that’s pretty much it for this one. Now let’s move on to the artist corner!

Artist Corner

Today I’m featuring Russ the rapper.

In the past I told you how I want to feature not only visual artists, but also musicians, actors, writers and so on. So now’s the time.

Russ’s favorite theme is of him doing it himself. No one signed him, no one put him on, and he built his own career with his two hands.

I can really relate to that. When you are just getting started – all you get is no’s. And it’s up to you to push through and hopefully stick it to the nay-sayers’ faces (;

Here’s my favorite song of his: Me You

And here’s where you can find me

Check out my YouTube Channel – Liron Yanconsky

Or ask me questions on Instagram – @LironYanIL or Snapchat – @LironYan3

I hope you enjoyed this one. Take care, and we’ll talk again really soon,

– Liron

Depth in Creation – Detailed Paintings VS Quick Ones | Liron Yanconsky’s Podcast – Episode 48

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Hi there! Today I want to talk to you about depth in creation.

Two Ways to Paint – Different Levels of Depth

After painting for 4+ years, I slowly came to realize that there are two main ways to paint.

This is my personal experience. Yours may be different. But here’s what I noticed.

1. Slow and Detailed.

This is when you really take your time and paint slowly. You may take a break and revisit the painting later. You carefully observe it and make changes, corrections and tweaks.

This approach really improves your ability to create highly polished, finalized pieces.

2. Fast and Spontaneous.

This is a quicker way of creating. It allows you to put emphasis on different aspects, and higher level pillars of good creation.

This approach allows you to work on the basics – composition, arrangement, values, color, edges and so on.

It also allows you to gain experience and insight in these areas fairly quickly, as you can produce many quick and small paintings.

Alternating the Depth

One of the things that helped me the most when it comes to improving over the long haul, is alternating between those two methods.

I would argue that this helped me to improve FASTER as well.

Here’s what I would do.

I would create a few very detailed paintings. These may take several days.

Then I would feel artistically exhausted. I finally figured out the solution was to switch gears and do the quicker sketches.

So I did a bit of those. Until the next day I felt like doing another detailed painting.

And so on (:

Conclusion

I think it’s beneficial to recognize YOUR OWN cycle, and do the things that will allow you to continuously move forward in your creation.

What do you think? Let me know in a comment below.

And with that, we can move on to the artist corner.

Artist Corner

Today I talked about Trevor Chamberlain, an English painter who works in both oils and watercolor.

He had no formal education in art. He got started in oils, and then taught himself watercolor in one year. In his own words, he did that through sheer perseverance and learning from previous masters.

He currently serves on the Council of both the Royal Society of Marine Artists and the Royal Institute of Oil Painters.

Here is a gallery with some of his FANTASTIC works – Trevor Chamberlain

And here’s where you can find me

Check out my YouTube Channel – Liron Yanconsky

Or ask me questions on Instagram – @LironYanIL or Snapchat – @LironYan3

I hope you enjoyed this one. Take care, and we’ll talk again really soon,

– Liron

Anchor Podcast, Sales Funnel & Patreon | Liron Yanconsky’s Podcast – Episode 47

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Today I want to give you a quick update about my work and what I’ve been up, especially in regards to my new podcast on the Anchor app, my sales funnel and quitting Patreon.

Anchor Podcast

There’s this app for podcasting called Anchor. This month I decided to go all in on it and see what happens.

So for the entirety of November 2018, I plan on posting an episode a day on the app.

Unlike this podcast, there I’m posting shorter and quicker snippets, talking about how my day was, what I’m working on and so on.

I want to taste it and see if it has potential in addition to this podcast. You can actually find me there by searching (any podcast directory – iTunes, Google Store, Alexa, iHeart Radio, anywhere) for “Liron Yanconsky”.

Sales Funnel

This one’s going to be quicker. I finally finished and launched my third course, called Sketching People MASTERCLASS.

It’s more robust than the other courses, and so I priced it at 97$ (you get a 7-day free trial to try it out first).

I sold 3 of these so far, which is really nice, as the profit margins are much better (;

And I’m currently running Facebook ads and they are starting to pop and work for me.

This is one of my main sources of income, so it’s nice knowing I can start relying on it a little more.

Quitting Patreon

I talked about this on YouTube, Instagram and now here on the podcast as well.

I quit Patreon because (1) I don’t like to ask for money – tip jar style. I’d much rather have you buy a course or a book and learn something you want.

And (2) It stifled my ability to share in other platforms (as I would think to myself – hmm, this is good, maybe I should “save” this for Patreon).

I didn’t like that feeling of creating a wall between my content and you.

And by the way – I have NOTHING against the platform or the people on it. For some it is actually a GREAT match, and allows them to monetize their art and creation and actually make a living.

But I feel like it’s just not for ME (:

And that’s basically it for today’s episode! Now let’s move on to the artist corner.

Artist Corner

Today I talked about Lena Amstrand. She is a Swedish watercolor painter who works very loosely.

She loves to portray mood, atmosphere and especially – water.

You can check out his work here: Lena Amstrand

And here’s where you can find me

Check out my YouTube Channel – Liron Yanconsky

Or ask me questions on Instagram – @LironYanIL or Snapchat – @LironYan3

I hope you enjoyed this one. Take care, and we’ll talk again really soon,

– Liron

The Artist Curse – When others LOVE your art, but you DON’T | Liron Yanconsky’s Podcast – Episode 30

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Today we’ll talk about the artist curse, what it is and how to possibly deal with it.

How I learned about the artist curse

I initially came across this phrase in a video by Mark at Draw Mix Paint channel. Mark is a fantastic oil painter I highly recommend you check out. ESPECIALLY if you do watercolor.

In any case, he described this concept in several of his videos.

The artist curse is when you don’t enjoy your art the same way others do. You don’t see it the same as others see it. You sometimes don’t understand why others like it.

Why I’ve been thinking about the artist curse

Lately I’ve been experiencing more and more of this.

I think I’m a bit of an oddball. I am able to enjoy some of my art, and see the beauty in it. But only to some extent, and only some of the time.

Because I was so lucky to build a following of amazing people on YouTube and Instagram, I receive lots of feedback.

Even ME, as someone who enjoys their art, is constantly blown away by the feedback.

This also happens when I paint outside. Passerby’s comments are many times positive, while I feel lie “I have no idea what I’m doing” haha.

Why the artist curse occurs

I believe there are several reasons for why we (for the most part) simply can’t enjoy our art in the same way others can.

Process – We slowly see our painting come together. During the process, it’s easy to lose track of the vision. It’s easy not to be able to see how this mess in front of us is supposed to turn into a beautiful piece of art.

Others come by and see it for the first time with fresh eyes. They quite literally see it better.

Lack of objectivity – Because we are the artist, the creator, it’s hard being objective about our work, and seeing it for what it is.

This also connects to…

Familiarity – Not being able to “smell ourselves”. It’s hard for us to recognize our own style, strengths and tendencies. We are simply too close to the picture.

Many have commented about how they loved my style, and how it’s really distinctive. But – to this day I don’t really see it. All I can do is create as best as I can. But on the other hand – it does appear to have its own style.

The funny irony

Mark pointed this out, and it made me laugh as I was able to relate.

Usually, the artists who have the most doubts and shyness around their skills, are the ones who make among the most beautiful kind of art.

I would assume this isn’t 100% true, but from what I personally experienced so far it’s darn close to that.

On the other hand, artists who seem to have this blind confidence, also tend to have some series weaknesses in their style, technique or skills.

Living with the curse

There are several solutions to alleviate the artist curse. I suspect that due to the nature of objectivity, it never completely goes away. But you can definitely ease the symptoms.

1. Use second hand impression. Share your are with others in a manner that allows them to be objective. Instagram is great for that.

This way you’ll slowly learn what others respond to. You still won’t be able to necessarily enjoy your art as much as others, but you’ll definitely learn more about how it’s accepted by others.

2. Find OBJECTIVE criteria. Judge your art based on objective criteria and signs. Here are some good examples from the visual art world – “Is my drawing accurate? Is this angle correct? Is this the right value? Does the color express what I wanted it to?”

There you have it! Well, that last one may be a little more subjective haha. But you get the point.

And if you come from a different artistic background – try and find your objective criteria!

3. If you are very shy and unconfident about your art – I would suggest learning to become better at ACCEPTING compliments and taking them at face value (gee, looks like someone DOES like your artwork!).

4. If you feel like you have nothing more to learn, and your work is fabulous, I’d suggest asking for some opinions by others and seeing if they match your beliefs. If they do – mad props!

5. Finally – have fun! Art isn’t perfect. We all express what we want, in the ways we can. Above all I want you to enjoy what you produce (:

And with that being said, time to move into the artist corner!

Artist Corner

Today I talked about John Constable, a renowned British oil painter who lived from 1776 to 1837.

He was a landscape painter who worked in the traditional oil style. Among his best works is “Wivenhoe Park”. This is also the first painting of his that I came across.

John wasn’t financially successful. He gained more popularity after he passed away. His work was embraced in France even more than in the UK.

He mostly painted scenes from the Dedham Vale, the area surrounding his home. It is now known as “Constable Country”.

You can read more about him on Wikipedia: John Constable
And also check out “Wievenhoe Park”

As a side-note, I also recommended Alvaro Castagnet – as an artist who does seem to enjoy his own art like others, with lot’s of confident. Check out his work here: Alvaro Castagnet.

And Here’s where you can find me (:

You can support me on Patreon

Check out my YouTube Channel – Liron Yanconsky

Or ask me questions on Instagram – @LironYanIL or Snapchat – @LironYan3

And this is it. I hope you enjoyed this episode, and I’ll talk to you again real soon!

– Liron