Tag: Joseph Zbukvic

Biggest Watercolor Painting Influences – Stan Miller, Joseph Zbukvic, Alvaro Castagnet & Chien Chung Wei | Liron Yanconsky’s Podcast – Episode 58

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Hi there, Liron here! Today I want to share with you my biggest painting influences – Stan Miller, Joseph Zbukvic, Alvaro Castagnet and Chien Chung Wei.

I will talk about what I learned from each one of these artists. Let’s get started!

1. Stan Miller

My biggest insight from Stan was how colors don’t matter, and it’s all about the values.

Stan Miller has so many insanely helpful YouTube tutorials, and in them he always emphasizes – if you get your drawings right and your values right – it will look realistic.

I learned the most from Stan Miller, no doubt about it.

Check out this tutorial to see what I mean: Stan Miller – Portrait Demonstration

2. Joseph Zbukvic

From Joseph I learned a lot about simplifying what I see. I learned I can manipulate things and represent them in a simpler manner that really works for the viewer.

Another thing I learned was the importance of believing in the process and allowing the painting time to come together.

I no don’t give up on ANY painting, until it’s 100% doomed haha.

3. Alvaro Castagnet

Ahhh, Alvaro. Such a unique spirit. From him I learned a few interesting things.

First – the important of contrast, or as he likes to call it – contradiction. This means having hard edges and soft edges, warm color and cool color. Conflicting elements that add interest.

One practical thing I got from him was to place cools and blues in close proximity, inside the shadows, to create interest and richness to the shadows.

Overall, my style is very different from Alvaro’s, but I do get a lot of inspiration from his uniqueness of style.

4. Chien Chung Wei

I started following Chien Chung Wei more recently, and even featured him in my newest episode of Painting Masters.

I learned to much to even explain here, so you’ll have to listen to the episode haha. Mostly I learned real skill is. His work is several folds more impressive than anything else I’ve seen.

And with that being said, let’s move on to the Artist Corner!

Artist Corner

So today I wanted to focus on… Chien Chung Wei!

Instead of writing, though, I urge you to take a look at my most recent episode of painting masters:

This artist is really something special.

And that’s it for today, hope you enjoyed this one!

And here’s where you can find me

Check out my YouTube Channel – Liron Yanconsky

Or ask me questions on Instagram – @LironYanIL or Snapchat – @LironYan3

I hope you enjoyed this one. Take care, and we’ll talk again really soon,

– Liron

Impressionism Painting | Liron Yanconsky’s Podcast – Episode 20

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In the picture above is an Edward Seago study I did a while ago

Impressionism Painting

Impressionistic paintings have always attracted me, from the moment I discovered the genre.

I always loved the ability to represent what you see on paper, with the added value of your own interpretive skills, and your special flare.

The Zbukvices and the Castagnets

Immediately after discovering Joseph Zbukvic and Alvaro castagnet I was HOOKED.

I started seeking out similar artists, and paintings in that loose impressionistic style.

I also attempted painting in this style, which was a huge challenge (and still is!).

Edward Seago

Another artist I recently discovered that does impressionism in both OILS and watercolor, is Edward Seago.

He will probably be responsible for me getting into oils in some point in the not-so-far future (;

What Makes Good Impressionistic Art

I have my own opinion about what makes a good impressionistic painting.

This is my opinion, and I could be wrong about some things, or missing others. This is by no means a conclusive list.

Here are some things I noticed so far:

Accurate drawing – This is a must. This is the basis for creating a realistic impression of what you see.

Good sense of light and shadow – This is the second most-important item on my list. I believe this is as important as an accurate drawing.

We see the world in the form of light and shadow, and portraying accurate values is the key for creating realism.

Simplification and abstraction – Here shines the true spirit of impressionism. We are not trying to include every single detail we see.

We simplify things for the viewer, including only what’s ABSOLUTELY NECESSARY. And the levels to which we simplify is a personal / style-related choice, but the impression we create still resembles the subject to a high degree.

Colorful / harmonious palette – To me color is secondary, but in some ways it can significantly enhance a painting.

When the colors work well together the good painting turns into a fantastic celebration of mood, atmosphere and temperature.

How to learn impressionism painting & how to improve

This is a question I don’t really have an answer for. I’m still learning this myself. However – there are some habits I noticed have been helping me with this.

Painting from live reference – This means either painting real objects inside, or real scenery outside. It means NOT working from photos.

I cannot stress enough how important field work is. It is an integral part of improving your visual language, which is what we are doing here, after all.

I also think it’s important, from time to time, to work from photos. The reason is that you can be more relaxed, well-organized, and practice the techniques.

Outside you have to hurry, the light is constantly moving and changing, and things are dynamic. Inside you don’t have that issue.

Learning from others – The way I approached learning this is by constantly alternating between two mindsets – inspiration and isolation.

What I practically do is focus for a while on learning from one specific artist who’s work I enjoy. The time-frame for this can range from two weeks to two months. I call this the inspiration period.

Then, I shift into isolation. I ONLY focus on painting what I see, as I see it. I don’t watch YouTube videos. I don’t look at other peoples’ art. I only focus on MY OWN WORK.

And then I go back to inspiration for a while, and the cycle begins again.

I find this REALLY helps me to soak up inspiration and knowledge, and then internalize everything and combine it with MY OWN style.

Conclusion

And this is everything I wanted to share!

Like every new skill, it can be a bit of a challenge. But with enough consistency you get the ball rolling and before you know it – you are an expert!

I hope you enjoyed this one (:

Artist Corner

Today we talked about Edward Seago. He was an amazing English painter who worked in both oils and watercolor.

He lived from 1910 to 1974, and led an interesting life. He was quite close to the royal family, and was even invited on a tour to the Antarctic with prince Phillip.

He produced there what is considered his best work. I personally love both his oil paintings and his watercolors. He had an amazing way of simplifying what he sees.

You can read more about him on Wikipedia – Edward Seago

And here is a Google Images search for you to browse and enjoy

And here’s where you can find me (:

You can support me on Patreon

Check out my YouTube Channel – Liron Yanconsky

Or ask me questions on Instagram – @LironYanIL or Snapchat – @LironYan3