Filming Art Videos Outside | Liron Yanconsky’s Podcast – Episode 23

Hi there!

In this episode I want to talk to you about filming art videos outside, and the challenges that accompany that.

I Love Painting and Sketching Outside

I really love creating outside. Seeing the scene in front of you, hearing the sounds, seeing the people. It’s just such a superior experience.

Plus, you get to translate the scene from a three-dimensional manifestation onto a two-dimensional paper.

This is an extremely important experience that you don’t get painting from photos.

Filming Art Videos Outside

So that brings me to art videos.

On the one hand, I really enjoy filming outside. It has a freshness to it.

Also, I have a funny feeling that this has something to do with my more advanced work. With things I want to do when I’m at the height of my career.

I want to show my work and everything I’m doing.

I don’t know if this is a bug I caught from figures like Gary Vee, or something that’s inherently mine.

But I do know it’s there.

But It’s a HUGE Challenge for me, at Times

Filming outside is challenging for me.

I think I can divide this challenge into two elements.

  1. Fear that filming will hurt my artistic results. This is a legitimate fear, but I believe that’s something you learn to deal with. When you are so used to recording everything you do, the camera becomes “invisible” to you.
  2. Fear of filming in public, in front of other people. One of the scariest (and funniest) moments are when I’m just about to talk, and there are many people around my. I know I’m going to surprise them =P

So this led to some challenges. On the one hand I KNEW I have to do this.

On the other, this is scary!

My Decision

I decided to film myself arting outside once a week.

And here’s the thing that will soften it. I don’t rely on that footage at all. I record my three weekly videos normally. And IF what I recorded outside is good, I’ll add it to the schedule.

This really reduces a lot of the pressure (:

You see, I have a tendency to strive for perfectionism at times. So in my head, “the painting process must be perfect”. But if I know that my sole purpose is to record, and whatever happens with it doesn’t matter – this takes off a lot of the pressure.

Artist Corner

In this episode I talked about Carol Evans.

Carol is a watercolor painter, and I think it’s best to let her art speak for itself.

She does crazy beautiful, semi-photo-realistic paintings. You can check out her artwork here:

http://www.carolevans.com/open-editions/

She also has this webpage on her website, showing an actual painting process in stages:

http://www.carolevans.com/original-painting-in-progress/tlvt3k6804rofopi3fsjonqomv4buf

Also, here’s an interview of her:

And this is most of what I talk about in this episode. I hope you enjoyed it!

Here’s where you can find me (:

You can support me on Patreon

Check out my YouTube Channel – Liron Yanconsky

Or ask me questions on Instagram – @LironYanIL or Snapchat – @LironYan3

 

The Products I’m Working On | Liron Yanconsky’s Podcast – Episode 18

Hi there! Liron here. In this episode I want to talk to you about the products I’ve been working on during the month of February 2018.

Courses

I’m working on 3 new course I intend on publishing on the Udemy platform. This is where I currently make my courses available (together with my website).

I’m close to finishing 2 out of the three:

  • Portrait painting in watercolor
  • Landscapes in watercolor

Because I’m working on so many things simultaneously, this has been quite the challenge. I really have to work hard to be able to devote large chuncks of works to these products.

They involve recording, and then A LOT of editing work.

Book – How to Sketch People

I’m working on a book on how to sketch people in pen and pencil. This book is meant to be a “twin” product to my video course on sketching people.

This is a topic I’m trying to tackle from a rather unique angle, in my opinion. I try to provide students with a loose and fun method, that still preserves the accuracy and realism of the sketch.

I think this is an incredibly challenging topic that deters many from tackling. With this book, just like with the course, I wanted to turn it into a fun, light-hearted experience.

Increasing My Income

As an artist that is trying to build a business around their art, I have to be proactive. I always have to take care of my own income and earnings.

I have no boss, or salary. This is a huge challenge, but also a great freedom.

My goal with producing so many products is mainly helping as many people as possible, as well as MAKING MORE MONEY (:

I think this is also a uniqe value I bring to the table when it comes to helping other artists. I’m very business-oriented, and hope to inspire other artists to proudly create and charge money for their creation.

I want to use this opportunity to thank you. Yes – you! My listener, viewer, reader and follower.

Without you, all of this would have been impossible.

Artist Corner

In this episode I talked about no other than Paul Cézanne.

He doesn’t require too much introduction (;

Cezanne was a French post-impressionist painter, who is widely-known and highly-regarded.

Both Henry Matisse and Pablo Picasso have remarked that Paul Cezanne “is the father of us all”.

You can read more about him in his Wikipedia page.

Conclusion

And this is it for today’s episode. I hope you enjoyed it!

Here’s where to find me:

Here you can support me on Patreon

Check out my YouTube Channel – Liron Yanconsky

Or ask me questions on Instagram – @LironYanIL or Snapchat – @LironYan3.