Interviews With Other YouTubers and Artists | Liron Yanconsky’s Podcast – Episode 32

Hi there! In this episode I want to talk to you about my desire to make interview other artists, and build connections in the watercolor community.

Things I KNOW I Should Do

I got this idea after brainstorming. I felt like, at the back of my head, there are many things I know I should be doing, but don’t.

So I made a list and 2 main things popped:

  1. Do LIVE videos!
  2. Interview other artists and collaborate!

So I took the 2nd one to hear, and decided to do just that.

Steve Mitchell / The Mind of Watercolor

I already started applying this change. I recently contacted Steve Mitchell of The Mind of Watercolor channel.

He is an amazing artist and I really appreciate his work. I also learned a lot from his videos. He was the first person I wanted to interview.

Luckily he was so cool and friendly about it and immediately said yes. The interview should be out this Thursday on my YouTube channel, and next Tuesday on the podcast as well (:

Benefits of Interviews of Other Artists

I have all the reasons in the world to do this. First – I think this will create AMAZING content for mine and the interviewee’s audience. I want to ask the less obvious questions. I want to open a window into the PERSON I’m interviewing.

Another huge advantage is building a more personal connection with the watercolor community.

And lastly – this will really help our channels grow, by increasing exposures.

Other Artists I Want to Interview

I’ve been thinking about some of the “purer” watercolor artists on YouTube such as Patrick Ley-Grieves, Nitin Singh and Teoh. I hope to reach out to those soon.

But then the more I thought about it the more I realized it doesn’t matter. I can interview ANY artist I want! The content will still be relevant – especially with visual artists (the medium is of less importance).

This is it! Now onto the Artist Corner

Artist Corner

In this episode I mentioned Richard Bolton, a watercolor painter who lives in New-Zealand and has a name sounding like a Game of Thrones character =P

He is an incredible painter, and an author of several books such as Texture and Detail in Watercolor (affiliate link, you pay the same price and I make a small commission).

I highly recommend you check out his artworks. You can do that on his website: http://www.richardbolton.com/

And Here’s where you can find me (:

You can support me on Patreon

Check out my YouTube Channel – Liron Yanconsky

Or ask me questions on Instagram – @LironYanIL or Snapchat – @LironYan3

And this is it. I hope you enjoyed this episode, and I’ll talk to you again real soon!

– Liron

 

How I Make Money From My Art | Liron Yanconsky’s Podcast – Episode 31

In today’s episode we’ll talk about how I make MONEY from my art.

Today’s going to be a special one, as it’s the audio taken from one of my recent videos, that’s a part of my new series – Business Monday.

(if you want to watch the video, you can do so here: How I Make Money From My Art)

In it I talk about the connecting point between art and money. It’s aimed at people who want to make money from their art, as well as entrepreneurs who want to build an art business.

QUICK NOTE – NEED YOUR HELP

If you find interest in this series (Business Monday), I’d be thankful if you leave a comment. Let me know what you thought of this, and what other topics you want me to cover.

I want this to have valuable information FOR YOU (:

Now let’s talk about how I make money from my art. Also note how I’ve included some things that work in general. These are tangentially related, and don’t necessarily make money DIRECTLY.

WHAT WORKS & MAKES ME MONEY

Here are things that work for me and actually make me money.

Books – I am able to sell my books in different channels. I was also able to sell the Spanish language rights, making my book How to Sketch available in additional countries in Spanish!

Courses – This is something I’ve been devoting many hours to producing, marketing and selling. My courses are selling on both the Udemy platform and on my own website (DrawAnythingUSee.com).

YouTube – This is obviously my favourite platform (; I’m really enjoying producing content here, and it actually WORKS. I receive valuable feedback from you, that helps me know what you want to see more of.

Instagram – Another platform I’m really enjoying right now. It’s also the best way to connect with me, if you want to hit me up with a quick message. I’ve been putting a lot of effort into YouTube and Instagram for the past 2 years.

WHAT DOESN’T WORK & DOESN’T MAKE MONEY FOR ME

Reddit – As a social media platform, it used to help me a lot in the past, but not so much.

Licensing my art – I tried websites like Society6 and RedBubble, but that didn’t really work as well.

Smashwords – A digital book distributer. I have some of my books distributed through it. As I mentioned in the video, I think 2 months on Amazon made me more money than two years on Smashwords and it’s 8+ different distribution channels. Haha.

Selling my art directly – This is something I haven’t really focused on much so far. I let it come naturally to me. Which brings me to my next point…

MAKING MONEY TAKES TIME, EFFORT AND PATIENCE

When I really audit myself and try to find correlations between my success… It is glaringly obvious that the things that really worked out for me are the things I spent A LOT OF EFFORT, WORK AND HOURS ON.

At the end of the day, success takes a lot of time.

The things I succeeded in so far are really things I thoroughly researched and worked on. It’s things I had a natural inclination to put more work into, but on the same token – it could have ended but being different things.

The message is that PERSISTENCE IS KEY. You have to keep pushing through until what you are doing works – or learn when to stop and move onto something else.

A SMALL CAVEAT

I think it’s important to audit yourself and your work. If you’ve been doing something for 10 years and you don’t get results, maybe it’s time to move on.

Or, if you enjoy it regardless, do it while recognizing it won’t make money, and not relying on it financially.

I hope you enjoyed today’s different format. Now let’s move on to the artist corner.

Artist Corner

Today I talked about Thierry Duval, a Parisian watercolor artist.

I originally came across his work through Instagram.

He paints beautiful scenes from France (mainly Paris, I believe). His work is realistic – photo-realistic. He has a very strong sense of light in it as well.

I’m fascinated by his techniques. He works in a very measured and calculated manner to achieve his realistic results. He uses masking fluid, and glazed quite a bit.

I highly recommend you check out his Instagram, where you can see some of his work processes and final artwork: Thierry Duval on Instagram

Also, be sure to check out this webpage, showing many of his beautiful works: Thierry Duval Artworks

And Here’s where you can find me (:

You can support me on Patreon

Check out my YouTube Channel – Liron Yanconsky

Or ask me questions on Instagram – @LironYanIL or Snapchat – @LironYan3

And this is it. I hope you enjoyed this episode, and I’ll talk to you again real soon!

– Liron

 

The Artist Curse – When others LOVE your art, but you DON’T | Liron Yanconsky’s Podcast – Episode 30

Today we’ll talk about the artist curse, what it is and how to possibly deal with it.

How I learned about the artist curse

I initially came across this phrase in a video by Mark at Draw Mix Paint channel. Mark is a fantastic oil painter I highly recommend you check out. ESPECIALLY if you do watercolor.

In any case, he described this concept in several of his videos.

The artist curse is when you don’t enjoy your art the same way others do. You don’t see it the same as others see it. You sometimes don’t understand why others like it.

Why I’ve been thinking about the artist curse

Lately I’ve been experiencing more and more of this.

I think I’m a bit of an oddball. I am able to enjoy some of my art, and see the beauty in it. But only to some extent, and only some of the time.

Because I was so lucky to build a following of amazing people on YouTube and Instagram, I receive lots of feedback.

Even ME, as someone who enjoys their art, is constantly blown away by the feedback.

This also happens when I paint outside. Passerby’s comments are many times positive, while I feel lie “I have no idea what I’m doing” haha.

Why the artist curse occurs

I believe there are several reasons for why we (for the most part) simply can’t enjoy our art in the same way others can.

Process – We slowly see our painting come together. During the process, it’s easy to lose track of the vision. It’s easy not to be able to see how this mess in front of us is supposed to turn into a beautiful piece of art.

Others come by and see it for the first time with fresh eyes. They quite literally see it better.

Lack of objectivity – Because we are the artist, the creator, it’s hard being objective about our work, and seeing it for what it is.

This also connects to…

Familiarity – Not being able to “smell ourselves”. It’s hard for us to recognize our own style, strengths and tendencies. We are simply too close to the picture.

Many have commented about how they loved my style, and how it’s really distinctive. But – to this day I don’t really see it. All I can do is create as best as I can. But on the other hand – it does appear to have its own style.

The funny irony

Mark pointed this out, and it made me laugh as I was able to relate.

Usually, the artists who have the most doubts and shyness around their skills, are the ones who make among the most beautiful kind of art.

I would assume this isn’t 100% true, but from what I personally experienced so far it’s darn close to that.

On the other hand, artists who seem to have this blind confidence, also tend to have some series weaknesses in their style, technique or skills.

Living with the curse

There are several solutions to alleviate the artist curse. I suspect that due to the nature of objectivity, it never completely goes away. But you can definitely ease the symptoms.

1. Use second hand impression. Share your are with others in a manner that allows them to be objective. Instagram is great for that.

This way you’ll slowly learn what others respond to. You still won’t be able to necessarily enjoy your art as much as others, but you’ll definitely learn more about how it’s accepted by others.

2. Find OBJECTIVE criteria. Judge your art based on objective criteria and signs. Here are some good examples from the visual art world – “Is my drawing accurate? Is this angle correct? Is this the right value? Does the color express what I wanted it to?”

There you have it! Well, that last one may be a little more subjective haha. But you get the point.

And if you come from a different artistic background – try and find your objective criteria!

3. If you are very shy and unconfident about your art – I would suggest learning to become better at ACCEPTING compliments and taking them at face value (gee, looks like someone DOES like your artwork!).

4. If you feel like you have nothing more to learn, and your work is fabulous, I’d suggest asking for some opinions by others and seeing if they match your beliefs. If they do – mad props!

5. Finally – have fun! Art isn’t perfect. We all express what we want, in the ways we can. Above all I want you to enjoy what you produce (:

And with that being said, time to move into the artist corner!

Artist Corner

Today I talked about John Constable, a renowned British oil painter who lived from 1776 to 1837.

He was a landscape painter who worked in the traditional oil style. Among his best works is “Wivenhoe Park”. This is also the first painting of his that I came across.

John wasn’t financially successful. He gained more popularity after he passed away. His work was embraced in France even more than in the UK.

He mostly painted scenes from the Dedham Vale, the area surrounding his home. It is now known as “Constable Country”.

You can read more about him on Wikipedia: John Constable
And also check out “Wievenhoe Park”

As a side-note, I also recommended Alvaro Castagnet – as an artist who does seem to enjoy his own art like others, with lot’s of confident. Check out his work here: Alvaro Castagnet.

And Here’s where you can find me (:

You can support me on Patreon

Check out my YouTube Channel – Liron Yanconsky

Or ask me questions on Instagram – @LironYanIL or Snapchat – @LironYan3

And this is it. I hope you enjoyed this episode, and I’ll talk to you again real soon!

– Liron

Alizarin Crimson Permanent – SAA Watercolors | The Paint Show 27

Hi there, in today’s episode I want to review Alizarin Crimson Permanent by SAA watercolors.

Here’s the full review, scroll down for additional paint info.

SAA Watercolors

So far my experience with these was great. Their colors are strongly pigmented, lightfast and handle nicely.

This one is no different.

Alizarin Crimson Permanent Paint Info

Pigments: PR177 (Anthraquinone Red) and PV23 (Dioxazine Violet)
Transparent
Lightfastness: A (best)

The SAA brand doesn’t have any series. All paints are equally priced.

They do have discounts for members of the SAA. You can learn more here: SAA Membership.

If you live in the UK, I would especially recommend checking this out.

I hope you enjoyed this one, and I’ll talk to you again really soon!

– Liron

Did you Mess up Your Painting?? How to Fix a Watercolor

Hi there, I hope you are doing great! Today we’ll talk about how to fix your painting when you messed something up (:

Here’s the full video, scroll down to read more.

Many Painting Mistakes Can be Fixed

People (myself included) make the assumption that in watercolor nothing is reversible. This is false.

Many, if not all mistakes can be corrected.

Only some types of mistakes can’t be corrected. These usually involve dropping dark paint in large quantities in an area that’s supposed to be light.

However, paint can be lifted. Brushwork can be improved. Things can be darkened and so on.

The Ugly Stage of a Painting

This is something worth mentioning. Most paintings, no matter the medium (oils, acrylics or watercolor) tend to go through an ugly / incomplete stage.

It may lead you to believe you are messing up, when in fact you are just early in the process.

I’d encourage you to NEVER give up on a painting. The it’s far likelier you’ll give up too soon than too late. So give it a chance!

Conclusion

I hope you enjoyed the video and vibed with the message.

Let me know if this helped!

And I’ll talk to you again really soon.

– Liron